Kizomba. What is it, and why are more people talking about it? The word itself seems to stir up a whole range of reactions from those who have never danced it. Some of my favorites are:
“Oh, is it related to Zumba?”
“You’re referring to that NEW dance, right?”
“Yeah, I think I’ve seen it and it reminds me of high school dancing. Not much to it.”
“Oh, I can’t do THAT, being glued to a partner that way?”
I laugh, not just at the reactions, but at how I can relate to them because, before I started learning kizomba myself, I’m sure some of those thoughts ran through my head as well. But it didn’t take long for me to realize that there is so much more to the dance than what it appears to be from the outside. In fact, all of those perceptions above disintegrate when the magic of the true kizomba takes a hold of you. The small, subtle movements, as well as the close connection, require a control and sensitivity, as well as a trust and surrender that are not as easily attained as one might think. And as far as the “newness” of the dance, tell that to the kizombeiros and kizombeiras, as they are properly referred to, who have grown up with the dance in their families for years! What makes it ‘new’ to us is our lack of familiarity with the dance in this part of the world. But to the dancers in areas of Angola, West Africa, where the dance originated, as well in Portugal, where kizomba later spread, kizomba has a history. It is not just this dance that we have come to have a fascination for most recently. It goes back much further with roots from dances that a lot of us here have never even heard of.
That must have been why it didn’t sit right with me one day when I heard an organizer of a dance studio refer to kizomba as simply ‘African tango’. A couple had walked into the studio inquiring as to what was going on that night. And after seeing a sign for a kizomba social, they asked, “What is kizomba?” Of course, I understood that the organizer was trying to give the couple something that they were more familiar with to relate to, in order to picture this ‘mystery’ dance in their mind. And having danced some tango myself, I could see some of the tango nuances that were often used by kizombeiros in the dance. But I also knew kizomba was not tango and that not all kizomba dances had tango elements in them. I definitely did not have all the answers. In fact, I had very few. But knowing how kizomba had affected me very deeply in such a short period of time, I felt like it deserved to be recognized for what it truly is. Kizomba made me feel so alive, in a way that was different to anything else I had experienced before. So I knew it had to have a life blood of its own, an identity, a history, and an essence that was individual. I was touched that kizomba had invited me in, embraced me, welcomed me with open arms and heart, without even having known me. And so, I felt I owed it to kizomba, to get to know it, not for what it might resemble, or what people might guess it to be. But for what it really is. I wanted to learn its story, and help share it, because with every dance, I could hear it whispering that it had a story worth telling. And the whispering just seemed to get louder the further I was drawn in.
But in order to tell the story accurately, I needed to find someone who had years of experience in it, someone who had a deep understanding of kizomba and who knew it well.
To read the original, full article, including answers to the questions posed above through my in-depth interview with the amazing Kizombeiro Eddy Vents, please visit Industry Dance Magazine by clicking on the following link: Kizom-what?