About trajwani

Lover of words, cultures, art, magic moments, children, soulful endeavours, dance, and music, music, music.

“…But those unheard are sweeter”

Heard melodies are sweet,

but those unheard are sweeter.”

~John Keats

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Recently, I saw this quote from Ode to a Grecian Urn tattooed on a girl’s back shoulder.  I am glad there was a huge treble clef attached to it, which drew my attention to the words.

So many memories of English Literature class, and falling in love with Romantic poets were brought back to me in that moment. And Professor Lee Johnson, my favorite professor, who instilled such a passion for poetry and words in me, even though I was actually in sciences at that time.

Those words meant something in particular to me at that time, according to what was going on in my life then. I wasn’t dancing, and I definitely wasn’t singing when I first read those poets and Keats’ ode.  But I understood and got a taste of those “unheard melodies” in the form of pauses and breaths in the middle of certain sentences or poetry lines.  Writing and reading took on this whole other sensation for me because of this.   So did fine art, as I would notice not just the strokes and colours on the canvases I painted or drew on, but also the negative space within those creations.  I could see the beauty of the “unheard” melodies in the artwork I studied in art history classes as well. To me, they were the spots that the artist chose to purposely leave blank.   The blank spaces often said as much, if not more, than the ones full of swirling brushstrokes.

It’s amazing how now, the words take on another layer because of these newer passions of mine, especially dance.

Because it is the breaths and pauses in dancing and singing that I live for the most in these disciplines.  Very often, we concentrate on the hits, the strong beats, the parts in the music where your feet want to step the loudest or strongest.  But when someone breathes with me at the beginning of a dance, or when suddenly, there is a pause in the music, and we stop together to take in that moment, that’s what makes the hits and sharper, quicker movements so memorable.

It’s also what gives me goosebumps- those “unheard” melodies in between the musical notes, in between the dips and spins and waves.  I can name particular dancers over the course of my dancing experience who have made me feel those moments, those pauses, between the pulses and traveling sequences.  It is the leaders who have stopped me in my tracks to be so present in those moments, to experience the sweetness of what is not heard but felt so deeply, that remain in my memory forever.  Although those moments can never be replicated again exactly as they were, that is also what is beautiful about them.  They linger within us, long after they happen, because of their magic to bring us into that very instance.

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It’s like nothing else exists in those moments except for that feeling. And that is the part of dance that makes me crave more of it.  These captured moments of ‘stillness’ that we often don’t take the time for in our daily lives, these instances of total surrender to our senses- the feel of our partner’s hands or arms around us, the touch of our feet pushing through the floor, or the floor pushing back up into us to ground us and keep the motion flowing, or the deep breaths taken at the same time as the pause in the music.

It is this that draws me to the dance floor again and again, no matter how tired I might feel beforehand, no matter how many other life issues are on my mind.  Dance takes me out of this and into the moment.  It feels like something otherworldly, orchestrated not by us but by something divine. Or to remind us of our connection to Spirit and the Divine. We just have to be open to it, to allow ourselves to listen and believe in the “unheard” melodies that capture our hearts and let our souls soar. It is the pauses and the breaths in the dances that enliven me and convince me that we are connected to something so much greater than ourselves. We just have to let that connection flow to and from us.

Dance allows us to hear the unheard, to experience something out of this world while still remaining in it.

Dance is divine.

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12 Lessons Learned From House Class

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Most people know me as a partner dancer. But from time to time, I’ve been sneaking away from the partner dance world to attend classes that I would have to do on my own.  I wanted a class in which I wouldn’t be able to cheat by relying on my partner for balance, energy or to just initiate the movements.  I wanted to improve my ability to find the feeling in my own body first, and to develop myself as an individual dancer. This was not to get away from the partner dancing world, but to help strengthen myself as a dancer, and bring this back into the dances I was already doing.  I was thrilled to be able to find all this, plus a great cardio workout, through House Dance classes!  And I wanted to share with you the lessons I have learned from them.

Of course, the concepts below can and should be learned throughout other dance styles, including the ones I was already doing. However, there was something about my taking myself out of the style and space I was used to that helped ingrain these lessons in me on a deeper and more conscious level.  The House Dance classes made the concepts I should already “know” clearer.  And this awareness has given me more confidence to understand them and apply them more intentionally to my other dances.  Thank you, to my instructor Kyle Vicente and iDance Vancouver Studios, for these great lessons!  Continue reading

Awakening to Your Dreams

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For the past few nights, I have fallen asleep with my guitar.

“Wait, you play the guitar?” those of you who know me might be asking.  Others of you might be thinking, “I think she needs a man.”  Yeah, that’s a topic for a whole other blog post.

But yes, I actually own three guitars now.   But I rarely play them. I thought I just couldn’t figure out HOW to. I would try every once in awhile, take a couple of lessons, but nothing would stick. If any of you have tried playing the guitar, especially as an adult, you know it’s not that easy.  Getting your fingers to coordinate and stretch enough but also be delicate enough to get right into the exact spots on the frets is pretty tricky stuff.

Each time I would pick up the guitar again, I would get frustrated and think that this whole guitar thing is so far from… well, who I am.  So I would give up.

But the universe has this way of bringing you back to something that you might need to give another chance to. Plus, there are guitars all around me- from the guitar paintings I did years ago, still hanging on my wall, to the guitar piggy bank I have in my kitchen, to the little guitar decoration on my bookshelf. Oh, and what about that guitar keychain I owned for a few years? Not to mention that one of the most inspiring and life changing movies I have ever seen is also, quite frankly, called The Guitar.

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Watch and Learn

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You can learn a lot from someone just by watching, especially if you learn HOW to observe.

On some nights, when I am out at a dance social or even at a practica, I might not have the energy to dance every song.  Sometimes, I am not even sure I have the energy to dance at all.  But I try to remind myself that the learning doesn’t just come from what you do, it also comes from what you see.

My initial fascination with dance definitely came from seeing people dancing, seeing the movement, the expression, witnessing the joy and energy that came from dancers who were feeling the music. Yes, their inspiration stemmed from the feeling that came from within them. Something I couldn’t see in a tangible sense.  But, it poured out from them through their connection to the floor, to their partner, to their smiles, to their gritty, passionate style and flavor. And THAT- what I saw, was what drew me into wanting to dance. The desire to do what those dancers were doing came out in me because I saw that desire in them.

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A Fine Balance

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I don’t dance salsa as much anymore.  My body doesn’t seem to be able to keep up with it as much. Maybe because the movements are often sharper or faster than the zouk and kizomba I’ve been turning to more over the past few years.  And those spins. Man those spins. Haha.

But the other night, I was at an event where the kizomba and bachata rooms upstairs hadn’t picked up yet.  So I stayed downstairs, giving my first dance- salsa-  a shot again. Let’s see how my body takes this after so many years of not doing this.

It’s funny how some things do just come back, because of muscle memory, because of the years of practise in the past. Sure, I stumbled on a few moves, and maybe my reflexes and spins weren’t as quick. But my body kind of found its way through the dance for me, without my having to think about it too much.

And while this was happening, little tips and tricks from all those years of lessons long ago started popping up in my head as well. Spotting, thighs together in spins and turns, safe arm styling  choices, pushing off the floor, and even just how to be more efficient overall in the dancing.  Continue reading

Dance Connects Cultures- Interview with Masanori Fujita

Masa8Where did you learn to dance? And which style of dance did you start with?

I started breakdancing nine years ago in Osaka, Japan.  From the first time that I saw the amazing technique put in the dance, I was totally hooked.  So, the next day, I went to a dance school to learn and I also practised on the street.

After I came to Canada, I just practised breakdancing first.  I didn’t know Hustle at that time. But at some of the events, some of the dancers were doing hustle. I saw it and thought I really wanted to learn to dance it. Everyone looked like they were really enjoying it. So that’s what made me start dancing Hustle. Continue reading

Faith, Freedom and Truth- Interview With Andra Carmina

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Which styles of dance are you into?  Do you have a favorite?

​I started dancing in 2009 after taking some salsa and bachata lessons at McGill. My dancing journey eventually followed me to Toronto, where I got introduced to zouk, and from there on, no other dance has had my heart quite like zouk does. I’ve dabbled into other dances like bellyDancing, kizomba, and dancehall.  While they do bring out certain parts of me, zouk allows me to express myself in ways I almost can’t explain. Continue reading

Following Your Heart- An Interview with Madan Kumar

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Where do you live and what styles of dance do you dance?

I live in Mumbai and I dance Salsa, Bachata & Kizomba

What got you into dance?

Dancing was my hobby since childhood, but I never knew I would end up as a full time dancer, teacher and performer.

I remember being asked why, if I’m Indian, I dance Latin dances instead of Indian dance. I I love Indian dance, but it just wasn’t what I gravitated to. And I thought it was a bit of an ignorant question at the time. Haha. But now, here I am, asking you the same question (laughs). Since you are in India and Indian, what made you choose Latin dances instead of Indian dances?  Continue reading

Interview with Kyryl Dudchenko: Paying Attention to the Details

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You started dance at a young age. Was dance something you chose yourself?

It was definitely not my choice.  It was my parents’ decision, but at that time already, lots of kids were ballroom dancing. Since then, I think the interest of kids participating in ballroom dancing has grown even more so. I think the number of kids participating in ballroom dancing in the Ukraine, where I am from, is booming now.

Do you have a favorite dance?

I love Rumba- to teach, to dance, to live it.

Beautiful.

I love it when I see male dancers who are great role models for young boys.  It’s sad that there seems to still be somewhat of a stigma around boys dancing.  Did you ever have to deal with any friends or family having any sort of negative attitudes towards you dancing because you are a guy?

Not at all.  I cannot recall even one instance when somebody showed a negative attitude towards me dancing. Even though most of my non-dancing male friends are very macho, they still have always respected and appreciated my dancing career. I do believe though, that in our life we attract people that would match us. Those that do not match us do not stay for too long. However, over the years that I’ve been dancing and teaching, I have seen numerous cases in which the idea of boys dancing has been regarded as being sissy or just not taken seriously.  Continue reading

Interview With Nipa Rassam- Dance= Connection. Conversation. And it’s Contagious!

Nipa4What got you into dance?

I was always interested in dancing in general. And partner dancing came along for me about fifteen years ago.  A friend asked me to go to a salsa night. I had no idea what to expect.  We took the lesson. I thought it was pretty intense. I didn’t know what to do.  And after that, the floor opened up for social dancing.  I saw people were dancing together in a way that looked as if they already knew each other, like they were actually couples.  But then when they finished the dance, they said thank you and then went their separate ways.  And I thought how did that happen? How do they know how to dance with each other, without knowing each other? How do they know when to turn and what to do?  That was my first exposure to partner dancing. And so I wanted to learn. Continue reading