“My goal is
just to make
the whole world
~ Ryan Morisette
What sparked your interest in bellydance?
I saw my first bellydancer at age 14. It was at a goddess fair in Langley. Being a Bohemian hippy teen, I was super inspired and wanted to learn how to dance like those women. I had studied ballet for several years and then jazz dance, and bellydance was something totally different and up my alley.
I had also been fascinated by Egypt since I was little, and the music seemed to touch a chord deep inside me. I started to look around White Rock, where I grew up, for classes. And I came across a teacher named Nahida who had danced in Egypt. I started taking her classes in 1995, and the rest is history!
Was dance and performance part of your upbringing?
I was a natural performer since pretty much from the time I could walk. My parents and younger sisters don’t dance, but my father loves to perform and be on stage. He was often organizing lip sync contests at his work where he was the lead singer, and was quite addicted to karaoke for a while! My paternal grandmother was a dancer and danced pretty much up to her death at 85. I definitely take after her. She was one of the brightest sparks I ever knew.
“Dance can be very frustrating if you feel that you can’t get a movement.
But we have all been there!
So, as a teacher, I want to try to limit that kind of discouraging experience as much as possible.
The frustration can start to limit our perception of what we can do.
Dance is supposed to make you feel good, at the end of the day. So I want THAT to be the strongest take- home feeling for my students.”
Dance Me Free has been on a bit of a hiatus over the past few months. But we are so happy to be back, not just with some new and exciting interviews, videos and events, but also with an outstanding young dancer as our new photo feature for this season!
All the way from Provence, France, the beautiful Marilou caught my attention with her stunning features, her passionate poses and the way she makes dancing look so effortless and freeing. Continue reading
It was such a pleasure to find out first hand from Ricky Campanelli what makes a good DJ. He was so down to earth and approachable, and I loved his enthusiasm towards sharing his thoughts. Find out in this interview what this grammy nominated producer and DJ is working on next, and why Vancouver is one of Rickys favorite cities!
[Note: This is the 5th and final part to a series of 5 brief interviews under the title Reminisce on VIS (Vancouver International Salsafestival). To start at the beginning, at interview #1, and to learn why and where these interviews were conducted, click here: Reminisce on VIS- a series of five brief interviews)]
I was thrilled when I heard that Juan Matos was going to be part of the VIS line up! I still remember repeatedly watching one of his videos years ago, when I was first introduced to salsa. And even back then, I was just completely blown away by the fluidity and smoothness of his moves and his unique style. How does he do that? I kept asking myself. In fact, it was legendary dancers like him who got me so intrigued by salsa and inspired me to want to dance. So you can only imagine the excitement I felt when Mr. Matos enthusiastically agreed to give me ten minutes of his time at VIS, even though he was just about to head out to the airport to catch his flight back home. Instead of rushing out, the hotel doors, he backtracked and followed me to the nearest couch in the hotel lobby. He put his suitcase down next to him and was so attentive and interested in my questions. To think, I almost missed him! I was so grateful for the amazing conversation we had as well as his very down to earth and approachable nature.
I’ve heard so much about DJ Montuno and his music, and have often been tempted to travel to Montreal to experience his art first hand. Well, thankfully, he has been travelling quite a bit, even outside of his home city, and we were lucky enough to have him join us at VIS! It was a pleasure to find out a little about how he got into DJing and what he loves about it.
Kizom-what?– Part 2 –Interview with Eddy Vents- discussing Kizomba Dancing (continued) To view Part 1, click here
Tasleem: At the end of Part 1 of this interview, you talked about the importance of the connection in this dance. Because it IS more about that connection and energy, it’s really hard to describe kizomba to someone else. Often, I hear it being described in terms of other dances. The description “African tango” has come up a few times, and I’m wondering what your thoughts are on that.
Eddy: I think people describe kizomba that way because they need to refer to the dance with something that is more familiar. If I explained kizomba to you by talking about the other dances it’s connected to or came out of, you probably won’t know what I’m talking about, because you’ve never seen those dances. So ‘African tango’ makes it easy for people on this side of the world, who have not experienced those African dances, to imagine the dance using something they already know.
“Oh, is it related to Zumba?”
“You’re referring to that NEW dance, right?”
“Yeah, I think I’ve seen it and it reminds me of high school dancing. Not much to it.”
“Oh, I can’t do THAT, being glued to a partner that way?”
“It looks so simple.”
I laugh, not just at the reactions, but at how I can relate to them because, before I started learning kizomba myself, I’m sure some of those thoughts ran through my head as well. But it didn’t take long for me to realize that there is so much more to the dance than what it appears to be from the outside. In fact, all of those perceptions above disintegrate when the magic of the true kizomba takes a hold of you.
(Interview #2 of 5. To read interview #1- Giana and Nery- click here)
I walked into James’ and Alex’s cha cha workshop a little low in energy. I was tired and wasn’t sure I would make it through the class. But it turned out to be one of my favourite workshops because Alex and James were so fun. In fact, the combination of the music they chose, the playful choreography they put together for us, and their own charisma, made me forget about my sluggishness earlier. Instead, I found myself laughing and enjoying myself all the way through, and I also left reenergized!
I really enjoyed your cha cha workshop today. Is it one of your favorite dances? You seem to have a lot of fun with it.
James: More and more now, it almost seems like we prefer cha cha over salsa (smiles). And it helps that because of our cha cha performance, we are getting asked to do more and more cha cha workshops. You can play with the timing a little more. You can put your own routines together for it in a way that can be a bit more interesting and more unique than the regular old patterns. But really, we like both.
Alex: But the energy does often seem to be much higher in cha cha workshops. It’s fun. You can have a laugh with it. Cha cha is very loose. As long as you feel it, you can do whatever you want in it, really.