How Tango Got Me In Touch With My Fire Element and Solar Plexus Chakra

Photo by Tasleem Laila taken in Buenos Aires, Argentina

When I was younger, I had what some people might have described as a ‘favourite’ response to most questions. It was, “I don’t know.”

Whether the question was “Where do you want to go?” or “What do you want to do?” or What do you want to eat?”, I’d give the same answer, “I don’t know.” On occasion, if I were asked what I wanted to wear, I might have been a little pickier . But even then, it didn’t seem to take much to dissuade me from my initial choice.

There was this air of unsureness that oozed from me. I just really thought I ‘didn’t know’, especially compared to the more confident, opinionated, loud, outspoken personalities that were often around me. Or maybe my timid nature made them appear that way. Regardless, everyone seemed so sure about what they wanted except for me, so I left it up to them to make the decisions.

The thing I couldn’t see is that the more I practised this “I don’t know-ing”, the more I made it part of my identity. I just started thinking that’s who I was. And other people got used to choosing for me. Eventually, I subconsciously started believing my opinion didn’t really matter, that I didn’t have something important to say. And if a little hint of a possible preference would rise up in me, I would wonder what difference it would make anyway, so kept it in. I became accustomed to living life according to everyone else’s preferences. I didn’t think it bothered me because I thought, hey, at least it was one less opinion they had to consider. I thought I was making things easier for everyone else.

But, there were a LOT of opinions going around- family members’, friends’, that of the culture around me which included Indian, African, older generations, and the younger generation of the Canadian culture I also grew up in. Opinions of peers, classmates, teachers, religion, and those I just absorbed from what I read or saw on TV, not to mention those of society as a whole.

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Piano As Therapy- Interview With Tyler Wilson

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How long have you been playing piano, and what is your preferred genre to play?

I’ve been playing piano now for about 18 years, ever since I was 6. After a few too many times banging on the keys of my grandma’s old upright, she sat me down and began teaching me classically, initially. This built a good technical foundation, but as I got older, I started getting into playing pop music. Eventually, I found my passion in jazz, specifically the old standards and swing!

I find sometimes it can be difficult to follow your artistic passion as an adult, especially with certain societal or cultural pressures to pursue something more “practical.”  Did you find those around you encouraging your music pursuits?

Luckily, the stigma against following the arts as a career path doesn’t seem as prominent in my generation. The rise of the entrepreneur/side gigs among millennials has made for a relatively accepting environment for people that are pursing their own path. But I would definitely agree that culture, upbringing, and environment have a heavy impact on people actually pursuing music and the arts as a sole source of income.

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Faith, Freedom and Truth- Interview With Andra Carmina

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Which styles of dance are you into?  Do you have a favorite?

​I started dancing in 2009 after taking some salsa and bachata lessons at McGill. My dancing journey eventually followed me to Toronto, where I got introduced to zouk, and from there on, no other dance has had my heart quite like zouk does. I’ve dabbled into other dances like bellyDancing, kizomba, and dancehall.  While they do bring out certain parts of me, zouk allows me to express myself in ways I almost can’t explain. Continue reading

Following Your Heart- An Interview with Madan Kumar

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Where do you live and what styles of dance do you dance?

I live in Mumbai and I dance Salsa, Bachata & Kizomba

What got you into dance?

Dancing was my hobby since childhood, but I never knew I would end up as a full time dancer, teacher and performer.

I remember being asked why, if I’m Indian, I dance Latin dances instead of Indian dance. I I love Indian dance, but it just wasn’t what I gravitated to. And I thought it was a bit of an ignorant question at the time. Haha. But now, here I am, asking you the same question (laughs). Since you are in India and Indian, what made you choose Latin dances instead of Indian dances?  Continue reading

Interview With Nipa Rassam- Dance= Connection. Conversation. And it’s Contagious!

Nipa4What got you into dance?

I was always interested in dancing in general. And partner dancing came along for me about fifteen years ago.  A friend asked me to go to a salsa night. I had no idea what to expect.  We took the lesson. I thought it was pretty intense. I didn’t know what to do.  And after that, the floor opened up for social dancing.  I saw people were dancing together in a way that looked as if they already knew each other, like they were actually couples.  But then when they finished the dance, they said thank you and then went their separate ways.  And I thought how did that happen? How do they know how to dance with each other, without knowing each other? How do they know when to turn and what to do?  That was my first exposure to partner dancing. And so I wanted to learn. Continue reading

Interview With Sia Kaskas- Revolutionizing Aging

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I really admire you for your strength and agility as a kickboxer, but also for being in a field that traditionally might have been thought more ‘suitable’ for men.  

Did you find it hard to work your way up in kickboxing, especially as a female, in terms of having support and being taken seriously?

Staying at Champions Martial Arts Academy for all the years that I did- from being a novice student to becoming an instructor and employee- had its challenges. I would say it made it easier having female role models around me- such as Master Ingrid Katzberg and Sensei Anita Katzberg. These two sisters own and run the school (along with Master Farid Dordar). Their strength was so inspiring and motivating for me and thousands of other female students in the city.

Yes. I remember them being highly regarded throughout the school and community. 

Yes, and Master Ingrid and Master Farid welcomed all genders to train and compete. I never felt any judgement from either one of them. The only challenges I encountered were from a minority of younger males who felt uncomfortable around me. I competed early on in my training years in eight tournaments and in five ring-fights and I was always the oldest female among the fight team. So that was tough in terms of judgment. And I later faced another challenge when I began instructing. Once again, some males found it difficult to be instructed by a female. This led me to train harder and to show them I am not as limited as they think. Of course now, after fifteen years of instructing, one builds a reputation and I have not had any issues with this in a long time.

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Dancing’s Appeal to the Senses- Interview With Danielle Felices

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I know you dance a few different styles of dance, but … is Zouk your favorite (smiles)? 

Oooh that is a loaded question! Currently, yes, Zouk is my favourite. I guess that is pretty clear to people who have met me. (smiles)

 What it is about Zouk that draws you to it?

When I think about what draws me to Zouk, I think first about what draws me to dance in general, and a few things come to mind. To me, dance is about passion, connection, emotion and technique. I was drawn to Zouk because it really resonated with me in those three areas which are important to me. I have found a new level of passion in myself and my dance through my journey so far in Zouk. I am passionate about the music, my personal development, the growth of the Zouk community, and I love learning more about myself and others through this dance. Continue reading

“Work It Out”- Interview With Reuben Avery

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I know you first as a musician – specifically as a keyboardist and trumpeter. You have been playing music since you were a child, right? 

Yes, I’ve been playing music since I was very young. I grew up on a farm and in our home there, my family had an old upright baby grand piano. When I was a toddler, I would crawl over to the piano and pound on the pedals. This would shake the sound board enough to make some noise. My mom eventually figured out that I was interested in the instrument, so she popped me in my high chair and sat me in front of the keyboard. I would happily plunk away for hours on end.

Wow! That’s amazing.  And kind of adorable (smiles).

Yeah, I think I have improved a bit since those days (smiles), but we’re not sure since we can’t find the cassette tapes that contained my recordings that were made on our small Fisher Price recorder.

Aww… haha (smiles).

I love how it seems that you chose the instrument, and your mom saw your interest in it and just encouraged it, rather than you being pushed into it. I think forcing kids to take music lessons can sometimes actually make them lose all enjoyment in it.

Yes, well I did eventually start taking piano lessons in grade 2, and was off and on with them throughout my grade school days. I always enjoyed improvising on the instrument and creating my own music…often much more than practising what was assigned to me by my various teachers. As such, piano, has always been my first love and I can still entertain myself for hours on it. I just love being able to create lush harmonies and lay creative melodies over them.   Continue reading

Interview with Bellydancer Ashley Rhianne

Ashley3What sparked your interest in bellydance?

I saw my first bellydancer at age 14. It was at a goddess fair in Langley.  Being a Bohemian hippy teen, I was super inspired and wanted to learn how to dance like those women.  I had studied ballet for several years and then jazz dance, and bellydance was something totally different and up my alley.

I had also been fascinated by Egypt since I was little, and the music seemed to touch a chord deep inside me.  I started to look around White Rock, where I grew up, for classes. And I came across a teacher named Nahida who had danced in Egypt. I started taking her classes in 1995, and the rest is history!

Was dance and performance part of your upbringing? 

I was a natural performer since pretty much from the time I could walk.  My parents and younger sisters don’t dance, but my father loves to perform and be on stage.  He was often organizing lip sync contests at his work where he was the lead singer, and was quite addicted to karaoke for a while!  My paternal grandmother was a dancer and danced pretty much up to her death at 85.  I definitely take after her.  She was one of the brightest sparks I ever knew.

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Our Perception of What We Can Do

“Dance can be very frustrating if you feel that you can’t get a Ashley4- by Daudimovement. 

But we have all been there!

So, as a teacher, I want to try to limit that kind of discouraging experience as much as possible.

The frustration can start to limit our perception of what we can do.

Dance is supposed to make you feel good, at the end of the day.  So I want THAT to be the strongest take- home feeling for my students.”

                 ~Ashley Rhianne