“My goal is
just to make
the whole world
~ Ryan Morisette
I know you first as a musician – specifically as a keyboardist and trumpeter. You have been playing music since you were a child, right?
Yes, I’ve been playing music since I was very young. I grew up on a farm and in our home there, my family had an old upright baby grand piano. When I was a toddler, I would crawl over to the piano and pound on the pedals. This would shake the sound board enough to make some noise. My mom eventually figured out that I was interested in the instrument, so she popped me in my high chair and sat me in front of the keyboard. I would happily plunk away for hours on end.
Wow! That’s amazing. And kind of adorable (smiles).
Yeah, I think I have improved a bit since those days (smiles), but we’re not sure since we can’t find the cassette tapes that contained my recordings that were made on our small Fisher Price recorder.
Aww… haha (smiles).
I love how it seems that you chose the instrument, and your mom saw your interest in it and just encouraged it, rather than you being pushed into it. I think forcing kids to take music lessons can sometimes actually make them lose all enjoyment in it.
Yes, well I did eventually start taking piano lessons in grade 2, and was off and on with them throughout my grade school days. I always enjoyed improvising on the instrument and creating my own music…often much more than practising what was assigned to me by my various teachers. As such, piano, has always been my first love and I can still entertain myself for hours on it. I just love being able to create lush harmonies and lay creative melodies over them. Continue reading
In Part 1 of this interview- “Why Tango?” Gabriel El Huracán discusses what it was about Tango that drew him into the dance so deeply. I have begun this second half of the interview with some of the words Gabriel left us off with at the end of Part 1. They just seemed so fitting to the theme of Part 2 of this interview: celebrating the beauty of differences, the strength of diversity.
Gabriel: In tango, you’ll have a kid who is twenty years old who is still in college or university and he’s beginning his life. And in the same room, you will have this older tanguero who might be eighty years old, dancing right next to him.
And you might meet a lawyer and a plumber and a stay at home mom all in the same room doing the same dance, sharing the same passion. You have people from all social classes in the same space. You have people from all ages, and people of all different cultures connecting through this common passion.
Tango allows me to make these unlikely encounters that I never would have made in my daily life otherwise. Continue reading
I am really impressed at how quickly it seems you have picked up tango and to such a high level. Do you feel that there is something about your life before tango which contributed to this?
For as long as I can remember, I was always more of a physical person. I was into basketball and into movement in general. I think if you’re an active person and just more physical in your life in general, you’re used to telling your body to move in certain ways. You’re used to isolating certain parts of your body and just having more body awareness. And this is really important, especially in tango. So perhaps that gave me an ‘advantage’ in terms of learning tango quicker.
And you used to be a bartender before, right? I think bartending is an art in itself. A bartender friend of mine even described her job as a dance on some nights. Do you see any parallels between your life as a bartender and the way you teach or dance now?
I never thought about it before, but probably the social skills I developed while being a bartender helped me with my teaching in some ways. I mean, I was already used to expressing myself around many people, through bartending. I was already dealing with so many different types of personalities on a daily basis and in a very busy environment. And I was used to keeping people entertained with humor and stories, and learning how to read what people wanted. It also got me into the habit of navigating around a room full of people. Continue reading
“Dance can be very frustrating if you feel that you can’t get a movement.
But we have all been there!
So, as a teacher, I want to try to limit that kind of discouraging experience as much as possible.
The frustration can start to limit our perception of what we can do.
Dance is supposed to make you feel good, at the end of the day. So I want THAT to be the strongest take- home feeling for my students.”
Dance Me Free has been on a bit of a hiatus over the past few months. But we are so happy to be back, not just with some new and exciting interviews, videos and events, but also with an outstanding young dancer as our new photo feature for this season!
All the way from Provence, France, the beautiful Marilou caught my attention with her stunning features, her passionate poses and the way she makes dancing look so effortless and freeing. Continue reading
No hay que llorar; el tiempo pasará, tú verás.
(There’s no reason to cry; the time will pass, you’ll see.)
Podrás abrasarme de nuevo, tú veras.
(You’ll be able to hug me again, you’ll see.)
Que no hay que llorar! Que conmigo estarás de nuevo!
(That there’s no reason to cry! That you’ll be with me, again!)
Que podrás adorarme de nuevo! Yo se que no me olvidarás!
(That you’ll be able to adore me, again! I know that you won’t forget me!)
Each of these lines is written in aqua blue across my bathroom, hallway and closet mirrors. The words are the lyrics to the song Verás, which I was introduced to in a live performance at the 1st Vancouver Mini Congress this fall. I don’t remember ever making it to the early parts of any dance congresses before. I usually like to save my energy for hanging out with friends and then social dancing later. Yet, something that weekend compelled me to skip out on a good friend’s pre-party and show up early for a film being shown at the congress instead.
Lights, Camera, DAUDI! That’s how I think the saying should go sometimes. If you’ve ever worked with this extraordinary photographer featured here, you’ll know what I’m talking about. It seems only natural to think about Daudi, the creator of Daudi X Photography, when talking about camera and light. Daudi is extremely creative with both. For him, photography is not just a job. It is his art, it his passion. He not only expresses the way he sees the world through this art, but he also brings pieces of it to us, capturing special moments and bringing out what is unique in each of his subjects. Daudi covers a range of photo types but his greatest fascination is with people. He is probably best known for his work in the dance community. His professionalism and attention to detail in his work is impressive, as is his friendly, charismatic nature. While Daudi has spent much of his time showcasing the talent and beauty of the artists that he photographs, it is my pleasure to finally celebrate Daudi’s talent and inspiring story with all of you. Thank you Daudi for your enthusiastic and thoughtful responses.
“Everything in the universe has rhythm. Everything dances.”- Maya Angelou
(Thank you Arassay Reyes and Danzaire Productions for sharing this amazing quote on your website. It has inspired this piece to come together as well as opening my eyes up even more to the connection between dance and our daily lives in general).
It is with great excitement that I share that this month’s header photo was taken by a very creative photographer and friend – AliRaza Panju.
Born and raised in Nairobi, Kenya, Ali currently lives in Vancouver, BC, and is studying business. Ali has an obvious knack for using a camera. And I am thrilled to be able to feature this talented photographer and a range of his photos on Dance Me Free this month!
“Finally… some relaxation time,… time to catch up on some photography,” and “My best friend… my camera,” are just a few of the messages Ali posts on facebook, obviously very passionate about his art.
But it’s not until you actually take the time to look through this artist’s photos yourself that you truly understand how deeply Ali loves taking pictures but also the unique way in which he sees the world. Because through his photos, Ali is able to transform our everyday interactions with the people and our surroundings – moments that are often overlooked and hardly noticed by others- into creative visual stories that we can’t help but to be drawn to listen to, look at.
Every one of Ali’s photos- whether they be of a face, or of fireworks, or of a beach, or cultural event- seems to enliven its subject in a way that reaches out to the viewer and makes us ‘feel’ something. Whether it is joy, sadness, curiosity, tenderness or a sense of peace, the photos remind us of all the beauty that surrounds us, even in the simplest of things. And I guess it takes a photographer like Ali to bring this to our attention.
It is my pleasure to share a special photo feature this month involving three fellow dancers and friends from our very own Vancouver dance community!
Carlos Molina and Nicole Chan are captured here in a beautiful moment of dance by photographer and dancer Elina Sumichan. The photo was taken at a recent event in Vancouver called Kizomba Temptation. Thank you Elina for hosting and organizing such a magical night, and special thanks to Nelda Sumichan for providing us with such an elegant, intimate venue in which to get our Kizomba dance on! It definitely proved to be a great night of mingling, music, and fun memories. I am thrilled to be able to share one of those moments here as Elina’s shot of Carlos and Nicole will be our new header photo for this season.