Category Archives: Healing

How Zouk Dancing Got Me Connected to My Water Element and Sacral Chakra

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Photo by Aaron Ulsh on Pexels.com

“Empty your mind. Be forrmless, shapeless, like water. You put water into a cup, it becomes the cup. You put water into a bottle, it becomes the bottle. You put it into a teapot, it becomes the teapot. Now water can flow or it can crash. Be water, my friend.” ~ Bruce Lee

The first time I heard this quote, I was in Rome, Italy. I was in a little restaurant cafe, trying to figure out how to get back to my hotel, which was way out on the outskirts of the city center.

I had been taking the bus from the hotel in and out of town for a few days, learning each day how unreliable the bus actually was. On some days, it arrived a little late, on most days it arrived more than an hour late. And on other days, like this particular day, it just never arrived at all.

That’s when Tariq appeared. He was a young guy staying in Italy but originally from Morocco. We started tallking and he said he was heavily into martial arts and asked if I was familiar with Bruce Lee’s famous teaching, “Be Water, My Friend.”

He propped up his phone in front of me so I could watch a video.

Bruce Lee’s voice captured my attention immediately. He spoke with such passion and fervor about the power of water, and how we were capable of being like it, or being IT, if we allowed ourselves to. I was feeling goosebumps throughout even though I wasn’t sure what to make of it all yet. Little did I know I was about to find out shortly.

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How Salsa Got Me In Touch With My Wood Element and the Root Chakra

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Photo by Daniel Watson on Pexels.com

Dance moves energy within and around us, with the potential to make space for healing and happiness.

I’ve been learning a lot about different energy systems and the important role they have in our overall healthy and happiness. I have realized how various dances really bring out aspects of these systems because dance itself is energy in motion. It moves energy within and around us, allowing us to make space for healing to happen.

I’ve decided to write a series of articles dedicated to particular dances I’ve experienced and which energy systems they highlight for me and reconnect me to.

This one is about Salsa.

The Root Chakra

Salsa was the first dance I really invested time and energy into. From taking group and private lessons, attending workshops and festivals, learning from international instructors, and going out social dancing on real dance floors, it became a regular part of my life. It was also the first dance where I experienced what it felt like to become part of a dance community.

Because of this I associated salsa with a sense of belonging and the building of a strong foundation.

Salsa was where I first learned about connection, timing, and lead-follow techniques like moving from the core, or prepping a turn, or knowing where your weight is.

Through this dance, I became aware that I even had weight. I was fascinated by how I could feel a great deal ‘lighter’ or ‘heavier’ depending on how I held myself. Was I pushing down on my partner too much, or were my arms noodle like and disconnected from my body? Was I accurately matching the pressure or connection that my partner was giving? And was I engaging the appropriate parts of my body to feel these changes? I never asked myself these question before, but once salsa had me looking into them more, I couldn’t go back. It became something I could take notice of and change whenever I wanted.

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What Each Dance Brings to Me, Especially In Relation to The Five Elements

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I tend to go through seasons of different dances, and sometimes wondered if there was something wrong with me. Why couldn’t I just stick to one dance?

And when people would ask me which was my favourite, I’d have troube answering that question. All the dances- from salsa, to bachata, to tango, to kizomba, to zouk- seemed to bring me something different, but I couldn’t explain what exactly. Until… I heard about the Five Elements of Chinese Medicine. And voila! Just like that, I got my answer. See, the Five Elements- are within all of us, but we are dominant in some, and have different amounts of them within us. Sometimes, they are in balance, and sometimes, they are very out of balance or craving a little bit of a less dominant element for a little while.

I realised that different dances were helping me tap into different elements that were undernourished, or needed revitalizing.

And learning about this system through two beautiful bellydancers- Dondhi and Titanya Dahlin really got me excited to share with you these wonderful insights.

Do you tend to stick to one dance? Or are you a dance dabbler like me?What do you think you get from different dances? And does your choosing them depend on your mood, who you’re with, the city you’re in, or even the DJ who might be spinning that night?


I’d love to hear your comments about this, and any of the elements you might resonate with. I will be giving a brief description of them at the start of the video. But you can always find out more details about this fascinating personality and health system through Dondi Dahlin’s book simply called The Five Elements.

Click on the link below to get into the Youtube Channel and then choose the video with the same title as this blog post:

https://www.youtube.com/channel/UCX_K65HYLIlJWuwSBWGv6rw

The Milonga Mystery

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(I do not claim to own this picture. Photographer and source unknown).

I was watching the movie I Feel Pretty the other night. And the main character Renee, played by the hilarious Amy Shumer, was complaining to her girlfriends about online dating. She was emphasizing how the guys only look at the pictures, and so if you’re not pretty in the guys’ eyes, they skip right past you.

She was so passionate in her monologue at that point. Her friends laughed, but you could also feel the hurt she had been holding in for so long, needing to get out. And it was how she ended it that rung inside me over and over: “And you didn’t even want to go out with this guy in the first place. But he’s rejecting you and it’s not fair. I’m sick of it.”

I know that feeling, I thought. But not because of online dating. Because of tango, and not because of the dance itself, but because of my experience of going out to some of the Vancouver milongas in particular.

Okay, I can’t believe I said that out loud, or wrote it out loud, but I am kind of relieved, because like Amy Shumer’s character, I’ve been keeping this inside for way too long. Maybe some of you tangueros out there will be shocked or disagree with my thoughts. But maybe, or I’m thinking most likely, there are people out there who can relate to this. More than they care to admit. So I am admitting it for all of us.

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The Story Teller and Other Pieces -Interview with Writer Pramod Kumar

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The Story Teller by Pramod Kumar

Some untold stories

To die is one thing, to fall in love is another…

To live is one thing, to be alive is another…

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The café was full as usual. Though located in downtown, it was particularly mannered compared to its other counterparts.

It was not the aroma of the freshly baked coffee beans that pulled women to this part of the town, but the young lad who used to tell stories- stories with strange endings, which sometimes would leave the audience spellbound, sometimes in rage of anger, sometimes in tears. They would promise themselves not to come to him again, not to listen to his stories again. But the promise was too hard to keep for they had become addicted to the drug he secretly served in his stories. Continue reading →

The Power of the Voice- Interview with Spencer Welch- Master Vocal Instructor

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Where were you born and brought up?

I was born in Ferney, in the Kootenays, BC. A year later, we moved to Calgary. And when I was five, we moved to Mexico.

Oh, that’s how you know Spanish.

Yeah. I grew up in Mexico in a small little city of two million people called Puebla. It’s about two hours outside of Mexico City. I lived there from age five to sixteen.

Did you grow up in a musical family?

Well, sort of. My grandpa and grandma on my dad’s side both played instruments and sang. And my dad sings beautifully and plays the piano and guitar all by ear. He has no idea which notes he is playing. He can only play the piano in about four or five keys. And they’re actually the really difficult keys. From very early on, my dad would bring a bunch of vinyl records home and would play all this music for me. He had a stereo with huge speakers and he would crank it as loud as he could. The windows would start shaking from the trumpets and the canons going off.

Haha! That is awesome.

Yeah, so it wasn’t like there were highly trained musicians in the family surrounding me. But there was all of this music in the house. Also, my friends that I was surrounded by were very good musicians. I remember being in bands from when I was 9 or 10 years old. Continue reading →

Interview with Anya Grace- on Diving Deep, Surrender, and Freedom

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When I first heard Anya Grace speak on YouTube, I felt her authenticity and passion come through right away. She was sharing her insights on the dynamics between men and women in a way that really impacted my view of relationships- not just the romantic kind, but also relationships with friends and family, with our surroundings, but especially with ourselves.

I then listened to a series of ten interviews she conducted with coaches and speakers who shared their expertise on various subjects around love, healing, abundance, the power of our beliefs, and manifestation. I was blown away by the profound knowledge and vulnerability imparted in those interviews. I thought “Others need to hear this!”

I couldn’t help but to reach out to ask Anya to share more of her wisdom with the Dance Me Free community. It is an honor to feature Anya Grace, spiritual mentor and feminine energy coach, in this interview below. 

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I was really impressed by the interviews from your Elevated Woman series.  What values do you think all the speakers you chose shared? They seemed have a connection in their messages.

I think what you’re feeling is my intention of diving deeper in the interviews. Part of our power and beauty as women is really in our depth – the deeper feelings, the deeper insights, the deeper wisdom we hold.

We’re living in a culture and society where things are very superficial. The superficial exterior has been what’s valued. But that’s only about ten percent of our power as women. I want women to understand, and tap into, the other ninety percent. Once we start going into that ninety percent, we really unplug from the masculine paradigm that’s draining our power.

Why is this important?

When you have that intention, as an individual, to open to that depth within yourself, and you unapologetically bring that depth into your relationships and conversations, other people will go there. I always say that the Elevated Woman is an activator and initiator for higher potential on the planet. Part of that higher potential is this depth- going deeper, really connecting at a heart level, not just a superficial mental level. And that’s when we really access feminine power. Continue reading →

Interview With Elina Sumichan- Dance Brought Me Back to Myself

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Photo by BachataX Toronto (2)

Photo by BachataX

You have been dancing a few different dances over the years.  Is Bachata your favorite?

I semi-retired from dancing for about 5 years, and I recently came back to it in the last year and half.  I realized how much I missed dancing. Then I ran into Davy, who is now my dance partner, and Bachata fusion has been our main focus.  But I love all styles of dance combined! I’m a fusion dancer.

You have a background in solo dance first, rather than partner dance, right? 

Yes. As a child, at 5 years old, I actually started with traditional Balinese dancing back when I was living in Bali. Then I learned modern dance, and after that, I did Jazz and Hip Hop throughout high school.  I picked up Balinese dancing again for a few months one summer vacation as a teenager, which is probably where I got my hand styling from. I was dance obsessed ever since I was a teenager, and I learned everything I could as far as other dances- from Hip Hop, Contemporary, Ballet, Belly Dancing, and even Flamenco!

How did you get into partner dance?

The first time I learned Salsa was actually in Bali, when I was 14. It was during the summer holidays when I was with my family. When I came back from the trip, I started to take lessons from various instructors in Vancouver and discovered the social dance scene here.  I spent my summer breaks for the next few years taking private lessons with a teacher in Bali and going out to socials. For a few years after that, throughout high school and university, I worked at a dance studio in Burnaby. That was when I started learning all partner dances on top of all the Latin dances I was already doing- from Latin Ballroom, Standard Ballroom, Argentine Tango, and West and East Coast Swing.

Do you think you got more out of partner dances or solo styles of dance? 

To this day, all of the mix of random dance training that I did contributes to my style, skills and abilities.  There wasn’t one training that I did that became irrelevant.  The fact that I exposed myself to everything gave me body movement awareness that I probably would not have gotten if I hadn’t tried a variety of dances. Continue reading →

Interview With Kathana- Born to Make Music!

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Kathana1.jpg

Your artist name- Kathana- is very unique. Where did it come from?

My mom originally wanted to name me Kathana because she wanted to honor my great-great grandmother Katherine and my grandmother Anna. My dad didn’t like Kathana as a name in everyday life. So I used it as a stage name instead.

That’s beautiful. From what I’ve read, you started music from a young age. Which instruments do you play?

I started singing at a very young age. My mom says I was singing ever since I could talk. I would go around the house singing “do do do do,” making up my own little melodies. I picked up the guitar and piano around the time I was in middle school, and just started playing by ear.

Wow! That’s amazing.  Do you have a favorite instrument?

Aside from my voice, it is hard to choose a favorite instrument. The piano is very calming to me and gives me a lot of creative freedom. It best allows me play what I’m feeling, and it’s therapeutic. With the acoustic guitar, overall, I just love the warm sound of it. I do a lot of my songwriting with the acoustic guitar.

How do songwriting classes help you?

They challenge me to approach songwriting from different ways that I had never previously thought about. I used to get stuck with writing songs when I didn’t have the inspiration first. My habit has always been to write a song in the very moment I found inspiration, which I still do. But now, I am able to write songs more consistently, using the tools I learned through class.

You are a beautiful songwriter.  Do you have a particular way you approach your own writing? For example, do you start with melody or lyrics first?  Or is your process of songwriting always different?

Kathana4.JPGMy songwriting method varies. Sometimes, I’ll hear a melody in my head, so I’ll record it on my phone and put words to it later. Other times, I’ll just think of, or say, a phrase and realize it would work well as a lyric so I’ll write it down. I’ve also stumbled across great sounding chord progressions when just freely playing on the piano, and decided to find lyrics to fit to them. Sometimes I’ll journal how I’m feeling, especially in very emotional situations, and then I’ll pick apart my journal entry to find lyrical content. Continue reading →

Interview With Nipa Rassam- Dance= Connection. Conversation. And it’s Contagious!

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Nipa4What got you into dance?

I was always interested in dancing in general. And partner dancing came along for me about fifteen years ago.  A friend asked me to go to a salsa night. I had no idea what to expect.  We took the lesson. I thought it was pretty intense. I didn’t know what to do.  And after that, the floor opened up for social dancing.  I saw people were dancing together in a way that looked as if they already knew each other, like they were actually couples.  But then when they finished the dance, they said thank you and then went their separate ways.  And I thought how did that happen? How do they know how to dance with each other, without knowing each other? How do they know when to turn and what to do?  That was my first exposure to partner dancing. And so I wanted to learn. Continue reading →