The Story Teller and Other Pieces -Interview with Writer Pramod Kumar

The Story Teller by Pramod Kumar

Some untold stories

To die is one thing, to fall in love is another…

To live is one thing, to be alive is another…

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The café was full as usual. Though located in downtown, it was particularly mannered compared to its other counterparts.

It was not the aroma of the freshly baked coffee beans that pulled women to this part of the town, but the young lad who used to tell stories- stories with strange endings, which sometimes would leave the audience spellbound, sometimes in rage of anger, sometimes in tears. They would promise themselves not to come to him again, not to listen to his stories again. But the promise was too hard to keep for they had become addicted to the drug he secretly served in his stories. Continue reading

Interview with Anya Grace- on Diving Deep, Surrender, and Freedom

When I first heard Anya Grace speak on YouTube, I felt her authenticity and passion come through right away. She was sharing her insights on the dynamics between men and women in a way that really impacted my view of relationships- not just the romantic kind, but also relationships with friends and family, with our surroundings, but especially with ourselves.

I then listened to a series of ten interviews she conducted with coaches and speakers who shared their expertise on various subjects around love, healing, abundance, the power of our beliefs, and manifestation. I was blown away by the profound knowledge and vulnerability imparted in those interviews. I thought “Others need to hear this!”

I couldn’t help but to reach out to ask Anya to share more of her wisdom with the Dance Me Free community. It is an honor to feature Anya Grace, spiritual mentor and feminine energy coach, in this interview below. 

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I was really impressed by the interviews from your Elevated Woman series.  What values do you think all the speakers you chose shared? They seemed have a connection in their messages.

I think what you’re feeling is my intention of diving deeper in the interviews. Part of our power and beauty as women is really in our depth – the deeper feelings, the deeper insights, the deeper wisdom we hold.

We’re living in a culture and society where things are very superficial. The superficial exterior has been what’s valued. But that’s only about ten percent of our power as women. I want women to understand, and tap into, the other ninety percent. Once we start going into that ninety percent, we really unplug from the masculine paradigm that’s draining our power.

Why is this important?

When you have that intention, as an individual, to open to that depth within yourself, and you unapologetically bring that depth into your relationships and conversations, other people will go there. I always say that the Elevated Woman is an activator and initiator for higher potential on the planet. Part of that higher potential is this depth- going deeper, really connecting at a heart level, not just a superficial mental level. And that’s when we really access feminine power. Continue reading

Interview With Elina Sumichan- Dance Brought Me Back to Myself

Photo by BachataX Toronto (2)

Photo by BachataX

You have been dancing a few different dances over the years.  Is Bachata your favorite?

I semi-retired from dancing for about 5 years, and I recently came back to it in the last year and half.  I realized how much I missed dancing. Then I ran into Davy, who is now my dance partner, and Bachata fusion has been our main focus.  But I love all styles of dance combined! I’m a fusion dancer.

You have a background in solo dance first, rather than partner dance, right? 

Yes. As a child, at 5 years old, I actually started with traditional Balinese dancing back when I was living in Bali. Then I learned modern dance, and after that, I did Jazz and Hip Hop throughout high school.  I picked up Balinese dancing again for a few months one summer vacation as a teenager, which is probably where I got my hand styling from. I was dance obsessed ever since I was a teenager, and I learned everything I could as far as other dances- from Hip Hop, Contemporary, Ballet, Belly Dancing, and even Flamenco!

How did you get into partner dance?

The first time I learned Salsa was actually in Bali, when I was 14. It was during the summer holidays when I was with my family. When I came back from the trip, I started to take lessons from various instructors in Vancouver and discovered the social dance scene here.  I spent my summer breaks for the next few years taking private lessons with a teacher in Bali and going out to socials. For a few years after that, throughout high school and university, I worked at a dance studio in Burnaby. That was when I started learning all partner dances on top of all the Latin dances I was already doing- from Latin Ballroom, Standard Ballroom, Argentine Tango, and West and East Coast Swing.

Do you think you got more out of partner dances or solo styles of dance? 

To this day, all of the mix of random dance training that I did contributes to my style, skills and abilities.  There wasn’t one training that I did that became irrelevant.  The fact that I exposed myself to everything gave me body movement awareness that I probably would not have gotten if I hadn’t tried a variety of dances. Continue reading

Interview With Kathana- Born to Make Music!

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Your artist name- Kathana- is very unique. Where did it come from?

My mom originally wanted to name me Kathana because she wanted to honor my great-great grandmother Katherine and my grandmother Anna. My dad didn’t like Kathana as a name in everyday life. So I used it as a stage name instead.

That’s beautiful. From what I’ve read, you started music from a young age. Which instruments do you play?

I started singing at a very young age. My mom says I was singing ever since I could talk. I would go around the house singing “do do do do,” making up my own little melodies. I picked up the guitar and piano around the time I was in middle school, and just started playing by ear.

Wow! That’s amazing.  Do you have a favorite instrument?

Aside from my voice, it is hard to choose a favorite instrument. The piano is very calming to me and gives me a lot of creative freedom. It best allows me play what I’m feeling, and it’s therapeutic. With the acoustic guitar, overall, I just love the warm sound of it. I do a lot of my songwriting with the acoustic guitar.

How do songwriting classes help you?

They challenge me to approach songwriting from different ways that I had never previously thought about. I used to get stuck with writing songs when I didn’t have the inspiration first. My habit has always been to write a song in the very moment I found inspiration, which I still do. But now, I am able to write songs more consistently, using the tools I learned through class.

You are a beautiful songwriter.  Do you have a particular way you approach your own writing? For example, do you start with melody or lyrics first?  Or is your process of songwriting always different?

Kathana4.JPGMy songwriting method varies. Sometimes, I’ll hear a melody in my head, so I’ll record it on my phone and put words to it later. Other times, I’ll just think of, or say, a phrase and realize it would work well as a lyric so I’ll write it down. I’ve also stumbled across great sounding chord progressions when just freely playing on the piano, and decided to find lyrics to fit to them. Sometimes I’ll journal how I’m feeling, especially in very emotional situations, and then I’ll pick apart my journal entry to find lyrical content. Continue reading

Dance Connects Cultures- Interview with Masanori Fujita

Masa8Where did you learn to dance? And which style of dance did you start with?

I started breakdancing nine years ago in Osaka, Japan.  From the first time that I saw the amazing technique put in the dance, I was totally hooked.  So, the next day, I went to a dance school to learn and I also practised on the street.

After I came to Canada, I just practised breakdancing first.  I didn’t know Hustle at that time. But at some of the events, some of the dancers were doing hustle. I saw it and thought I really wanted to learn to dance it. Everyone looked like they were really enjoying it. So that’s what made me start dancing Hustle. Continue reading

Faith, Freedom and Truth- Interview With Andra Carmina

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Which styles of dance are you into?  Do you have a favorite?

​I started dancing in 2009 after taking some salsa and bachata lessons at McGill. My dancing journey eventually followed me to Toronto, where I got introduced to zouk, and from there on, no other dance has had my heart quite like zouk does. I’ve dabbled into other dances like bellyDancing, kizomba, and dancehall.  While they do bring out certain parts of me, zouk allows me to express myself in ways I almost can’t explain. Continue reading

Interview With Vladimir Shmitsman- Part 2: Letting your energy be free

(To read Part 1 of the Interview, click here: Homeopathy recognizes the individual)

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What do you think makes some people believe in natural medicine and homeopathy, while others just would never even want to try it?

It’s hard to tell.  Some people already find it easy to accept new concepts.  In the beginning, I thought maybe that comes from their level of education.  But I realized that that’s not the case.

For example, a couple of years ago, I had a patient.  She asked me to see her husband.  He’s a professor.

He had some insomnia case and lots of stress at work.  So she convinced him, after many years of bugging him, to come here and to give me a chance (smiles).

He came in and he asked me, “So, Vladmir, how does this work?”

And I tried to explain it to him. But what do you say?  Meridians? Chakras? How can someone believe in meridians and chakras if they are very scientific in their thinking?  He wanted scientific proof that he could see, but it doesn’t work that way.

That must have been hard.

Well, for him it was hard. And for me, it was very hard, because we don’t have scientific proof. So I understood why he wouldn’t believe it.  I tried my best to explain it to him.  And eventually, he told me “Vlad, I am sorry, if you don’t have proof, I can’t accept that. It must not exist.”  So, we just shook hands, and I never saw him again (smiles).

But a couple of months later, I get a janitor from the same university come in to my clinic.

She never heard about homeopathy.  But she said, I really don’t even care how it works (smiles).  My sister got better with it so I want to try it.

Haha! That’s brilliant! (laughs)   Continue reading

Interview With Vladimir Shmitsman- Part 1: Homeopathy recognizes the individual

“In homeopathy, the personality of the individual determines their prescription,.. because Homeopathy understands that every person is different.

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Dr Shmitsman

I think some people might be surprised that you began your medical career with more conventional medicine.  

Yes.  In the beginning, I was a nurse.

I like that your grandma was one of the first to plant a seed for you very early on in terms of natural medicine.  

Yes.  She used to take me with her when she would pick plants and berries in the forest.  She was around me until I was 16 or 17 years old.  So it was a fair amount of time that I spent with her. (For more details about this story, please visit Dina’s Homeopathic)

And you had other people along the way who opened your eyes up to homeopathy?

Yes. It wasn’t just my grandmother’s influence that made me make my change from conventional medicine to homeopathy.

I finished nursing school, and then I went to the military for two years. The doctor who I worked with there was Russian Japanese.  That was a third generation of people who used to practise acupuncture.

For the first time in my life, I saw someone using acupuncture.  This man was a doctor in a hospital, but almost every day, I saw him treating different guys in the military using acupuncture.  He practised acupuncture as he felt he needed. Continue reading

Choosing Music Over Meds

One man’s quest to retrain his brain- through movement and dance-to overcome a severe movement disorder. Federico Bitti suffers from dystonia, a disease that affects a person’s ability to control their muscles. He is using a new therapy involving neuroplasticity, and specific exercises to retrain the brain, which for Mr. Bitti, includes …DANCE!

It’s stories like these that keep Dance Me Free growing and remind me why the site was born in the first place. There is proof, all over the globe, of how Dance and Music really do heal. You’ve got to watch this one! Incredible! What an inspiration.

And Dance, you’ve done it again!

La Época Interview- Part 2

Part 2- Josué Joseph- On Family, Freedom and Inspiration

(Click here to read La Época Interview Part 1- Josué Joseph- On Faith, Music and Talent)

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In Part 1 of this interview, you talked about growing up with the influence of your father- the great bassist Alfonso Panamá. You mentioned how he was always practising and surrounding you with music, making it just a part of your everyday life.   But did you ever go through that stage of NOT wanting to be a musician BECAUSE your father was one?  Often, kids try to purposely get away from doing what their parents did.  Did you ever go through that or was it always just something that you wanted to do?

I feel like I’m in that movie Slumdog Millionaire, because every answer that I give you comes from a story (laughs).  So here’s another one:

When I was growing up, my parents did not force any of us to study music.  But when I was four years old, we moved to a new house. And in this new house, there was a piano already there.  So music just came to us.  Taking piano lessons was just normal. My brother did it, my other brother did it, and it passed down to me. It became something that I thought was just something you do.

Continue reading