I know you dance a few different styles of dance, but … is Zouk your favorite (smiles)?
Oooh that is a loaded question! Currently, yes, Zouk is my favourite. I guess that is pretty clear to people who have met me. (smiles)
What it is about Zouk that draws you to it?
When I think about what draws me to Zouk, I think first about what draws me to dance in general, and a few things come to mind. To me, dance is about passion, connection, emotion and technique. I was drawn to Zouk because it really resonated with me in those three areas which are important to me. I have found a new level of passion in myself and my dance through my journey so far in Zouk. I am passionate about the music, my personal development, the growth of the Zouk community, and I love learning more about myself and others through this dance. Continue reading →
In Part 1 of this interview- “Why Tango?” Gabriel El Huracán discusses what it was about Tango that drew him into the dance so deeply. I have begun this second half of the interview with some of the words Gabriel left us off with at the end of Part 1. They just seemed so fitting to the theme of Part 2 of this interview: celebrating the beauty of differences, the strength of diversity.
Gabriel: In tango, you’ll have a kid who is twenty years old who is still in college or university and he’s beginning his life. And in the same room, you will have this older tanguero who might be eighty years old, dancing right next to him.
And you might meet a lawyer and a plumber and a stay at home mom all in the same room doing the same dance, sharing the same passion. You have people from all social classes in the same space. You have people from all ages, and people of all different cultures connecting through this common passion.
Tango allows me to make these unlikely encounters that I never would have made in my daily life otherwise.Continue reading →
I saw my first bellydancer at age 14. It was at a goddess fair in Langley. Being a Bohemian hippy teen, I was super inspired and wanted to learn how to dance like those women. I had studied ballet for several years and then jazz dance, and bellydance was something totally different and up my alley.
I had also been fascinated by Egypt since I was little, and the music seemed to touch a chord deep inside me. I started to look around White Rock, where I grew up, for classes. And I came across a teacher named Nahida who had danced in Egypt. I started taking her classes in 1995, and the rest is history!
Was dance and performance part of your upbringing?
I was a natural performer since pretty much from the time I could walk. My parents and younger sisters don’t dance, but my father loves to perform and be on stage. He was often organizing lip sync contests at his work where he was the lead singer, and was quite addicted to karaoke for a while! My paternal grandmother was a dancer and danced pretty much up to her death at 85. I definitely take after her. She was one of the brightest sparks I ever knew.
“Dancing with the heart” is a phrase that has been so overused that I think it had lost the depth of its meaning for me over time, until… people like Charles Ogar came along. Charles not only reminded me of the true meaning and feeling behind those words, by the connection he creates in his dancing, but he also put a whole other twist to it as he opens up about matters of the heart in this interview. After learning about some of the journey Charles’ heart has been taken on, – from having faith in his passions, to leaving his old career behind, to enduring heart surgery, and following a new path by trusting in where the universe is taking him- I have a whole new appreciation for the power of the heart. Thank you Charles Ogar for opening up with such honesty and authenticity in this interview and allowing us to know a little more about the heart that lies within you as a dancer and teacher.
Lights, Camera, DAUDI! That’s how I think the saying should go sometimes. If you’ve ever worked with this extraordinary photographer featured here, you’ll know what I’m talking about. It seems only natural to think about Daudi, the creator of Daudi X Photography, when talking about camera and light. Daudi is extremely creative with both. For him, photography is not just a job. It is his art, it his passion. He not only expresses the way he sees the world through this art, but he also brings pieces of it to us, capturing special moments and bringing out what is unique in each of his subjects. Daudi covers a range of photo types but his greatest fascination is with people. He is probably best known for his work in the dance community. His professionalism and attention to detail in his work is impressive, as is his friendly, charismatic nature. While Daudi has spent much of his time showcasing the talent and beauty of the artists that he photographs, it is my pleasure to finally celebrate Daudi’s talent and inspiring story with all of you. Thank you Daudi for your enthusiastic and thoughtful responses.
I was thrilled when I heard that Juan Matos was going to be part of the VIS line up! I still remember repeatedly watching one of his videos years ago, when I was first introduced to salsa. And even back then, I was just completely blown away by the fluidity and smoothness of his moves and his unique style. How does he do that? I kept asking myself. In fact, it was legendary dancers like him who got me so intrigued by salsa and inspired me to want to dance. So you can only imagine the excitement I felt when Mr. Matos enthusiastically agreed to give me ten minutes of his time at VIS, even though he was just about to head out to the airport to catch his flight back home. Instead of rushing out, the hotel doors, he backtracked and followed me to the nearest couch in the hotel lobby. He put his suitcase down next to him and was so attentive and interested in my questions. To think, I almost missed him! I was so grateful for the amazing conversation we had as well as his very down to earth and approachable nature.
I’ve heard so much about DJ Montuno and his music, and have often been tempted to travel to Montreal to experience his art first hand. Well, thankfully, he has been travelling quite a bit, even outside of his home city, and we were lucky enough to have him join us at VIS! It was a pleasure to find out a little about how he got into DJing and what he loves about it.
Kizom-what?– Part 2 –Interview with Eddy Vents- discussing Kizomba Dancing (continued) To view Part 1, click here
Tasleem: At the end of Part 1 of this interview, you talked about the importance of the connection in this dance. Because it IS more about that connection and energy, it’s really hard to describe kizomba to someone else. Often, I hear itbeing described in terms of other dances. The description “African tango” has come up a few times, and I’m wondering what your thoughts are on that.
Eddy: I think people describe kizomba that way because they need to refer to the dance with something that is more familiar. If I explained kizomba to you by talking about the other dances it’s connected to or came out of, you probably won’t know what I’m talking about, because you’ve never seen those dances. So ‘African tango’ makes it easy for people on this side of the world, who have not experienced those African dances, to imagine the dance using something they already know.
(Interview #2 of 5. To read interview #1- Giana and Nery- click here)
I walked into James’ and Alex’s cha cha workshop a little low in energy. I was tired and wasn’t sure I would make it through the class. But it turned out to be one of my favourite workshops because Alex and James were so fun. In fact, the combination of the music they chose, the playful choreography they put together for us, and their own charisma, made me forget about my sluggishness earlier. Instead, I found myself laughing and enjoying myself all the way through, and I also left reenergized!
I really enjoyed your cha cha workshop today. Is it one of your favorite dances? You seem to have a lot of fun with it.
James: More and more now, it almost seems like we prefer cha cha over salsa (smiles). And it helps that because of our cha cha performance, we are getting asked to do more and more cha cha workshops. You can play with the timing a little more. You can put your own routines together for it in a way that can be a bit more interesting and more unique than the regular old patterns. But really, we like both.
Alex: But the energy does often seem to be much higher in cha cha workshops. It’s fun. You can have a laugh with it. Cha cha is very loose. As long as you feel it, you can do whatever you want in it, really.