Interview With Elina Sumichan- Dance Brought Me Back to Myself

Photo by BachataX Toronto (2)

Photo by BachataX

You have been dancing a few different dances over the years.  Is Bachata your favorite?

I semi-retired from dancing for about 5 years, and I recently came back to it in the last year and half.  I realized how much I missed dancing. Then I ran into Davy, who is now my dance partner, and Bachata fusion has been our main focus.  But I love all styles of dance combined! I’m a fusion dancer.

You have a background in solo dance first, rather than partner dance, right? 

Yes. As a child, at 5 years old, I actually started with traditional Balinese dancing back when I was living in Bali. Then I learned modern dance, and after that, I did Jazz and Hip Hop throughout high school.  I picked up Balinese dancing again for a few months one summer vacation as a teenager, which is probably where I got my hand styling from. I was dance obsessed ever since I was a teenager, and I learned everything I could as far as other dances- from Hip Hop, Contemporary, Ballet, Belly Dancing, and even Flamenco!

How did you get into partner dance?

The first time I learned Salsa was actually in Bali, when I was 14. It was during the summer holidays when I was with my family. When I came back from the trip, I started to take lessons from various instructors in Vancouver and discovered the social dance scene here.  I spent my summer breaks for the next few years taking private lessons with a teacher in Bali and going out to socials. For a few years after that, throughout high school and university, I worked at a dance studio in Burnaby. That was when I started learning all partner dances on top of all the Latin dances I was already doing- from Latin Ballroom, Standard Ballroom, Argentine Tango, and West and East Coast Swing.

Do you think you got more out of partner dances or solo styles of dance? 

To this day, all of the mix of random dance training that I did contributes to my style, skills and abilities.  There wasn’t one training that I did that became irrelevant.  The fact that I exposed myself to everything gave me body movement awareness that I probably would not have gotten if I hadn’t tried a variety of dances. Continue reading

Piano As Therapy- Interview With Tyler Wilson

Tyler1

How long have you been playing piano, and what is your preferred genre to play?

I’ve been playing piano now for about 18 years, ever since I was 6. After a few too many times banging on the keys of my grandma’s old upright, she sat me down and began teaching me classically, initially. This built a good technical foundation, but as I got older, I started getting into playing pop music. Eventually, I found my passion in jazz, specifically the old standards and swing!

I find sometimes it can be difficult to follow your artistic passion as an adult, especially with certain societal or cultural pressures to pursue something more “practical.”  Did you find those around you encouraging your music pursuits?

Luckily, the stigma against following the arts as a career path doesn’t seem as prominent in my generation. The rise of the entrepreneur/side gigs among millennials has made for a relatively accepting environment for people that are pursing their own path. But I would definitely agree that culture, upbringing, and environment have a heavy impact on people actually pursuing music and the arts as a sole source of income.

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Joan- “When I’m dancing, I am untouchable…I become a moment … that will only happen once.”

joan de los reyes.3jpgFrom the moment I met Joan at Danzaire Studio, I noticed a unique energy about her.  At first, it seemed like a kind of quiet, friendly, charisma on the outside.  But the more that we talked, the more I understood that there was an even bigger and ‘louder’ depth of character looming inside of her.  And boy was I right.  I soon learned that there was remarkable story of strength and resilience behind Joan and her dancing, a story of courage and inspiration that I am so honoured to be able to feature in the form of an interview here on Dance Me Free.

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The Healing Touch of Tango

In a previous article, I described the impact salsa dancing has had on my health. Since then, I have been touched by the number of people who opened up to me about their own stories around dancing.
In particular, Peter Ferreira’s account of how he became a tango dancer is proof of the truly transformative power of dance.

Peter, formerly in the contracting business, worked independently for five years. His friends described him as focused, perseverant, vivacious and amusing. He worked hard and was goal oriented, and from the sounds of it, Peter didn’t let anything get in the way of his goals.

But in January of 2002, Peter was involved in a serious car accident that changed his plans and his life. Approaching Nordel Hill, in Vancouver, he was hit by an oncoming driver. Although Peter was in his own lane, going in the opposite direction, the driver heading towards him lost control of his car, and crossed the center line. Peter attempted to dodge the car but couldn’t. Witnesses say that the car that collided with the driver’s side of Peter’s van was travelling at the speed of about one hundred kilometers per hour.

Fortunately, Peter survived, but the impact of the crash left him with a body that needed much repair. Two of the major bones in his leg were shattered – his femur and tibia. Rods were placed along the length of these bones, along with anchoring screws, to help the bones redevelop. Though the hardware was implanted to aid Peter in his recovery, the screws were too long for the bones, and this caused him extreme discomfort and pain. Yet he had to endure having the equipment in his body for three years.

There were also many other repercussions Peter had to face because of the accident. One of the most severe was damage to his left frontal lobe. The result was a blood clot in his brain. This had a huge effect on his memory. “I went to bed on a Saturday and the next thing I knew, I woke up on a Wednesday in the hospital,” he explained. Peter couldn’t remember any details of the accident. In fact, there is a six month period of his life, around the time of the crash, of which he has no recollection.

Peter’s loss of memory did not just revolve around moments in time. He also struggled to retain information that had been built up over years of experience. He lost most of his contracting skills and was struggling to remember how to use the tools with which he had been familiar for over twenty years.

Peter underwent rehabilitation treatment for two years. He worked with physical therapists and was put through a series of cognitive tests. After some time, he tried working out – using weights and a treadmill- and also tried swimming to strengthen himself. But he was not seeing the results that he desired. He had trouble focusing, and the activities suggested to him were very solitary.

Understandably, Peter experienced much frustration and anger. The accident had a considerable impact on his daily routines. He was having trouble sleeping, he was in pain, and he didn’t know if he could ever return to his previous job.

Yet, despite all the setbacks, Peter still managed to retain his determination and perseverance.

“Resilience is a good word for Peter,” said Geraldine Goyer, “He had it when I first met him, and he still has it now.”

Two years after the accident, at a friend’s birthday party, Peter met Geraldine. She was a dancer and had been performing and teaching tango for over twenty years. Geraldine was moved by the story of Peter’s accident and encouraged him to try tango. She gave him her card, and Peter called her two weeks later.

Though Peter had not had any previous dance training, his attitude, teamed with Geraldine’s patience and teaching expertise, allowed Peter to excel quickly. Geraldine also knew something that Peter was yet to discover – that dancing had the power to heal, “I could tell he really needed the lessons, and there was no way I was going to let him walk out the door without seeing where the dancing went, and what it could do for him,” said Geraldine.   Continue reading