The Power of the Voice- Interview with Spencer Welch- Master Vocal Instructor

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Where were you born and brought up?

I was born in Ferney, in the Kootenays, BC. A year later, we moved to Calgary. And when I was five, we moved to Mexico.

Oh, that’s how you know Spanish.

Yeah. I grew up in Mexico in a small little city of two million people called Puebla. It’s about two hours outside of Mexico City. I lived there from age five to sixteen.

Did you grow up in a musical family?

Well, sort of. My grandpa and grandma on my dad’s side both played instruments and sang. And my dad sings beautifully and plays the piano and guitar all by ear. He has no idea which notes he is playing. He can only play the piano in about four or five keys. And they’re actually the really difficult keys. From very early on, my dad would bring a bunch of vinyl records home and would play all this music for me. He had a stereo with huge speakers and he would crank it as loud as he could. The windows would start shaking from the trumpets and the canons going off.

Haha! That is awesome.

Yeah, so it wasn’t like there were highly trained musicians in the family surrounding me. But there was all of this music in the house. Also, my friends that I was surrounded by were very good musicians. I remember being in bands from when I was 9 or 10 years old.

What instrument did you first start playing?

My first instrument was actually the accordion. We didn’t have a piano. We just couldn’t afford one. I took some accordion lessons but I wasn’t that into it. Then I got into guitar and I learned that by ear. I started teaching myself piano by ear after that. I got so deep into piano that I basically begged my parents for lessons. That started in Mexico.

And you started training your voice more in Canada?

When I came to Canada, I continued taking more theory and piano. And it wasn’t until I got into college that I started taking voice lessons. I always sang, and I started to perform professionally by the time I was about sixteen. I was getting hired by bands to play keyboard and sing back-up vocals. But at that time, I was just all self-taught. I had no vocal training. But I had lots of instinct built up. The majority of my formal training was when I went to college in Canada and studied jazz theory and composition, as well as piano and voice lessons. I did a little bit of Royal Conservatory before then too.

Spencer20I was introduced to the book The Talent Code through you and one of the other instructors at the Spencer Welch Vocal Studio– Rebecca Lam. What are your thoughts about the premise behind it- that talent is not born but learned?

I was afforded the opportunity from a very young age to be musical and to explore music. It was modelled for me in my dad and in my friends around me. And I didn’t have parents that looked down on music or singing as if it was somehow unimportant to explore that.

When I was five years old, I’d get pushed on stage at church and I’d be playing my ukulele and singing. I also went to a really small international school in Mexico where there were always big roles in every musical, and I very often got to be the lead. I think I was no more talented than the next person. It was just that I had lots of opportunities to express my musicality.

So I can relate to the premise behind the Talent Code in that way. The combination of all that was around me made singing, being on stage, and playing music seem natural. It was made to feel like a normal part of my life from a very early age. The talent was grown and nurtured, not necessarily something that I was just born with. Continue reading

Interview with Kyryl Dudchenko: Paying Attention to the Details

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You started dance at a young age. Was dance something you chose yourself?

It was definitely not my choice.  It was my parents’ decision, but at that time already, lots of kids were ballroom dancing. Since then, I think the interest of kids participating in ballroom dancing has grown even more so. I think the number of kids participating in ballroom dancing in the Ukraine, where I am from, is booming now.

Do you have a favorite dance?

I love Rumba- to teach, to dance, to live it.

Beautiful.

I love it when I see male dancers who are great role models for young boys.  It’s sad that there seems to still be somewhat of a stigma around boys dancing.  Did you ever have to deal with any friends or family having any sort of negative attitudes towards you dancing because you are a guy?

Not at all.  I cannot recall even one instance when somebody showed a negative attitude towards me dancing. Even though most of my non-dancing male friends are very macho, they still have always respected and appreciated my dancing career. I do believe though, that in our life we attract people that would match us. Those that do not match us do not stay for too long. However, over the years that I’ve been dancing and teaching, I have seen numerous cases in which the idea of boys dancing has been regarded as being sissy or just not taken seriously.  Continue reading

Our Perception of What We Can Do

“Dance can be very frustrating if you feel that you can’t get a Ashley4- by Daudimovement. 

But we have all been there!

So, as a teacher, I want to try to limit that kind of discouraging experience as much as possible.

The frustration can start to limit our perception of what we can do.

Dance is supposed to make you feel good, at the end of the day.  So I want THAT to be the strongest take- home feeling for my students.”

                 ~Ashley Rhianne