In Part 1 of this interview- “Why Tango?” Gabriel El Huracán discusses what it was about Tango that drew him into the dance so deeply. I have begun this second half of the interview with some of the words Gabriel left us off with at the end of Part 1. They just seemed so fitting to the theme of Part 2 of this interview: celebrating the beauty of differences, the strength of diversity.
Gabriel: In tango, you’ll have a kid who is twenty years old who is still in college or university and he’s beginning his life. And in the same room, you will have this older tanguero who might be eighty years old, dancing right next to him.
And you might meet a lawyer and a plumber and a stay at home mom all in the same room doing the same dance, sharing the same passion. You have people from all social classes in the same space. You have people from all ages, and people of all different cultures connecting through this common passion.
Tango allows me to make these unlikely encounters that I never would have made in my daily life otherwise.Continue reading →
Thank you for choosing Dance as one of those ways…
This video is beautiful. It truly embodies what I think Dance Me Free’s Message.
(Please note, Dance Me Free is not claiming any rights to the video. We just want to share it to thank the creators, choreographers, and artists behind it. Thank you for inspiring more writing, more dancing, and more magic with this breathtaking piece).
In Part 1 of this interview, you talked about growing up with the influence of your father- the great bassist Alfonso Panamá. You mentioned how he was always practising and surrounding you with music, making it just a part of your everyday life. But did you ever go through that stage of NOT wanting to be a musician BECAUSE your father was one? Often, kids try to purposely get away from doing what their parents did. Did you ever go through that or was it always just something that you wanted to do?
I feel like I’m in that movie Slumdog Millionaire, because every answer that I give you comes from a story (laughs). So here’s another one:
When I was growing up, my parents did not force any of us to study music. But when I was four years old, we moved to a new house. And in this new house, there was a piano already there. So music just came to us. Taking piano lessons was just normal. My brother did it, my other brother did it, and it passed down to me. It became something that I thought was just something you do.
“When I dance, I forget the bad times and I feel free.“- Marilou
Dance Me Free has been on a bit of a hiatus over the past few months. But we are so happy to be back, not just with some new and exciting interviews, videos and events, but also with an outstanding young dancer as our new photo feature for this season!
All the way from Provence, France, the beautiful Marilou caught my attention with her stunning features, her passionate poses and the way she makes dancing look so effortless and freeing. Continue reading →
“Dancing with the heart” is a phrase that has been so overused that I think it had lost the depth of its meaning for me over time, until… people like Charles Ogar came along. Charles not only reminded me of the true meaning and feeling behind those words, by the connection he creates in his dancing, but he also put a whole other twist to it as he opens up about matters of the heart in this interview. After learning about some of the journey Charles’ heart has been taken on, – from having faith in his passions, to leaving his old career behind, to enduring heart surgery, and following a new path by trusting in where the universe is taking him- I have a whole new appreciation for the power of the heart. Thank you Charles Ogar for opening up with such honesty and authenticity in this interview and allowing us to know a little more about the heart that lies within you as a dancer and teacher.
(Interview #2 of 5. To read interview #1- Giana and Nery- click here)
I walked into James’ and Alex’s cha cha workshop a little low in energy. I was tired and wasn’t sure I would make it through the class. But it turned out to be one of my favourite workshops because Alex and James were so fun. In fact, the combination of the music they chose, the playful choreography they put together for us, and their own charisma, made me forget about my sluggishness earlier. Instead, I found myself laughing and enjoying myself all the way through, and I also left reenergized!
I really enjoyed your cha cha workshop today. Is it one of your favorite dances? You seem to have a lot of fun with it.
James: More and more now, it almost seems like we prefer cha cha over salsa (smiles). And it helps that because of our cha cha performance, we are getting asked to do more and more cha cha workshops. You can play with the timing a little more. You can put your own routines together for it in a way that can be a bit more interesting and more unique than the regular old patterns. But really, we like both.
Alex: But the energy does often seem to be much higher in cha cha workshops. It’s fun. You can have a laugh with it. Cha cha is very loose. As long as you feel it, you can do whatever you want in it, really.
From the moment I met Joan at Danzaire Studio, I noticed a unique energy about her. At first, it seemed like a kind of quiet, friendly, charisma on the outside. But the more that we talked, the more I understood that there was an even bigger and ‘louder’ depth of character looming inside of her. And boy was I right. I soon learned that there was remarkable story of strength and resilience behind Joan and her dancing, a story of courage and inspiration that I am so honoured to be able to feature in the form of an interview here on Dance Me Free.
The questions and responses in this interview actually came out of a larger interview I did with Ismael a few years back, just after I met him. I decided to take some parts of the original and post it to this new website because I love how even after five or six years, I can read Ismael’s words and still be inspired by them. (And his jokes can still make me laugh!) More than that, it’s great that I can say, without a doubt, that Ismael Otero is still as real and open and friendly as he was back then, if not more so now. And it’s because of this authenticity and humbleness, because he doesn’t allow the dancing to go to his head, only perhaps to his heart and his soul, that his talent is that much more commendable. And for me, this makes watching him dance that much more enjoyable, because you can see and feel it’s coming from a good place.