The Power of the Voice- Interview with Spencer Welch- Master Vocal Instructor

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Where were you born and brought up?

I was born in Ferney, in the Kootenays, BC. A year later, we moved to Calgary. And when I was five, we moved to Mexico.

Oh, that’s how you know Spanish.

Yeah. I grew up in Mexico in a small little city of two million people called Puebla. It’s about two hours outside of Mexico City. I lived there from age five to sixteen.

Did you grow up in a musical family?

Well, sort of. My grandpa and grandma on my dad’s side both played instruments and sang. And my dad sings beautifully and plays the piano and guitar all by ear. He has no idea which notes he is playing. He can only play the piano in about four or five keys. And they’re actually the really difficult keys. From very early on, my dad would bring a bunch of vinyl records home and would play all this music for me. He had a stereo with huge speakers and he would crank it as loud as he could. The windows would start shaking from the trumpets and the canons going off.

Haha! That is awesome.

Yeah, so it wasn’t like there were highly trained musicians in the family surrounding me. But there was all of this music in the house. Also, my friends that I was surrounded by were very good musicians. I remember being in bands from when I was 9 or 10 years old.

What instrument did you first start playing?

My first instrument was actually the accordion. We didn’t have a piano. We just couldn’t afford one. I took some accordion lessons but I wasn’t that into it. Then I got into guitar and I learned that by ear. I started teaching myself piano by ear after that. I got so deep into piano that I basically begged my parents for lessons. That started in Mexico.

And you started training your voice more in Canada?

When I came to Canada, I continued taking more theory and piano. And it wasn’t until I got into college that I started taking voice lessons. I always sang, and I started to perform professionally by the time I was about sixteen. I was getting hired by bands to play keyboard and sing back-up vocals. But at that time, I was just all self-taught. I had no vocal training. But I had lots of instinct built up. The majority of my formal training was when I went to college in Canada and studied jazz theory and composition, as well as piano and voice lessons. I did a little bit of Royal Conservatory before then too.

Spencer20I was introduced to the book The Talent Code through you and one of the other instructors at the Spencer Welch Vocal Studio– Rebecca Lam. What are your thoughts about the premise behind it- that talent is not born but learned?

I was afforded the opportunity from a very young age to be musical and to explore music. It was modelled for me in my dad and in my friends around me. And I didn’t have parents that looked down on music or singing as if it was somehow unimportant to explore that.

When I was five years old, I’d get pushed on stage at church and I’d be playing my ukulele and singing. I also went to a really small international school in Mexico where there were always big roles in every musical, and I very often got to be the lead. I think I was no more talented than the next person. It was just that I had lots of opportunities to express my musicality.

So I can relate to the premise behind the Talent Code in that way. The combination of all that was around me made singing, being on stage, and playing music seem natural. It was made to feel like a normal part of my life from a very early age. The talent was grown and nurtured, not necessarily something that I was just born with. Continue reading

Interview With Vladimir Shmitsman- Part 1: Homeopathy recognizes the individual

“In homeopathy, the personality of the individual determines their prescription,.. because Homeopathy understands that every person is different.

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Dr Shmitsman

I think some people might be surprised that you began your medical career with more conventional medicine.  

Yes.  In the beginning, I was a nurse.

I like that your grandma was one of the first to plant a seed for you very early on in terms of natural medicine.  

Yes.  She used to take me with her when she would pick plants and berries in the forest.  She was around me until I was 16 or 17 years old.  So it was a fair amount of time that I spent with her. (For more details about this story, please visit Dina’s Homeopathic)

And you had other people along the way who opened your eyes up to homeopathy?

Yes. It wasn’t just my grandmother’s influence that made me make my change from conventional medicine to homeopathy.

I finished nursing school, and then I went to the military for two years. The doctor who I worked with there was Russian Japanese.  That was a third generation of people who used to practise acupuncture.

For the first time in my life, I saw someone using acupuncture.  This man was a doctor in a hospital, but almost every day, I saw him treating different guys in the military using acupuncture.  He practised acupuncture as he felt he needed. Continue reading

World Dance- by Ryan Morrissette

“My goal is

just to make

the whole world

dance”

~ Ryan Morisette

 

 

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Our Perception of What We Can Do

“Dance can be very frustrating if you feel that you can’t get a Ashley4- by Daudimovement. 

But we have all been there!

So, as a teacher, I want to try to limit that kind of discouraging experience as much as possible.

The frustration can start to limit our perception of what we can do.

Dance is supposed to make you feel good, at the end of the day.  So I want THAT to be the strongest take- home feeling for my students.”

                 ~Ashley Rhianne

 

 

 

Dance as Therapy for Autism

Excerpt taken directly from the original article-
Making Dance/Movement Therapy the Therapy of Choice for Autism Spectrum Disorder  By Danielle Fraenkel:

“Phillip Martin-Nelson, principal dancer of Les Ballets Trockadero de Monte Carlo, who was diagnosed with severe autism, credits ballet with saving his life. Similarly, dance classes have been a driving force for Leon*, a 15 year old, high functioning, home schooled male, diagnosed as a young child, with Autism Spectrum Disorder.”

Here is the link to see the original article in its entirety from its original source- The American Dance Therapy Association:
http://blog.adta.org/2015/04/20/making-dancemovement-therapy-the-therapy-of-choice-for-autism-spectrum-disorder/

How Dancing Changes the Brain

You’ve got to read this in depth article about the power of Dance to ward off certain diseases. This is an excerpt taken directly from

Thinking on Your Feet: Dancing Wards off Neurodegenerative Disease By Rewiring the Brain            by Lizette Boreli 

(Please note that the photo is directly from the original article as well. I have literally copied and pasted the link and photo because it is a must read and I just want to promote the page and message. I am in no way claiming any of this one article or photo to be mine).

benefits-dancing

“Strengthening Muscle Memory

Dancing improves brain function on a variety of levels. For one, our muscle memory allows us to learn how to perform a dance without thinking about the steps. According to neuroscientist Daniel Glaser, this happens because “the movements become thoroughly mapped in the brain, creating a shorthand between thinking and doing,” he told The New York Times.

In other words, we memorize how to do things so efficiently that they require no conscious effort. In dance, this is done by constantly repeating movements, which are practiced to the point that they can be performed automatically.

Although muscle memory can’t really distinguish a correct movement from a wrong one, some research suggests the endorphins released after performing a successful move cause the brain to store it as the correct way of moving — a process that constantly rewires the brain’s neural pathways.”- by Lizette Boreli

Click here to read this article in full from its original source- The Daily Medical:
http://www.medicaldaily.com/benefits-dancing-neurodegenerative-disease-human-brain-380835

Intro to Interview with Josué Joseph, La Época- Of the Time,… But Also Transcending Time

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No hay que llorar; el tiempo pasará, tú verás.

(There’s no reason to cry; the time will pass, you’ll see.)

Podrás abrasarme de nuevo, tú veras.

(You’ll be able to hug me again, you’ll see.)

Que no hay que llorar! Que conmigo estarás de nuevo!

(That there’s no reason to cry! That you’ll be with me, again!)

Que podrás adorarme de nuevo! Yo se que no me olvidarás!

(That you’ll be able to adore me, again! I know that you won’t forget me!)

Each of these lines is written across my hallway mirrors. The words are the lyrics to the song Verás, which I was introduced to in a live performance at the 1st Vancouver Mini Congress this fall. I don’t remember ever making it to the early parts of any dance congresses before. Yet, something that weekend compelled me show up early for a film being shown at the congress.

Continue reading

Help Send Ryan to Italy!

DANCING WITH CYSTIC FIBROSIS
Ryan2 - 2015
Ryan Morissette is truly an inspiration to us all. This young dancer not only
rips it up on stage when he performs, but he spends time sharing his art through teaching other kids. He also helps raise money for various charities, AND, what a powerful role model he is to guys who might want to dance but are not always encouraged to because of old gender stereotypes.
Ryan dances at a very high level, competing, training, performing, all the while battling a disease that he has had since he was a child.  But Dance, for Ryan, is healing. It is his medicine.
“I have tattooed on my arm ‘Music is my cure’ and that’s exactly how I feel when I am dancing,” says Ryan Morrissette.
[When I am dancing], “I feel like I don’t have CF. I can just be myself.”

Continue reading

How Art Inspires Art- The Depths of Dance- by Linda Strathdee

DANCE1-INKOver a year ago, I had participated in a master class blues workshop in which each of us were critiqued individually about our dancing by both the instructors and the other participants.  We were then given tips on what improvements we could make and then were to dance in front of the audience again, this time keeping in mind these suggestions in order to see and feel how they could transform our dancing.

I learned so much from that workshop, but unexpectedly, one of the most memorable components of it was a dance by two student participants I had never met before- Patrick and Linda.  They didn’t do anything particularly fancy or flashy in their dance, but their connection to each other and the music was so sweet and heartfelt. Continue reading

Healing helped by your passions, healing helped through dance…

healing

… And sometimes, that healing comes in the form of something that lifts your spirit, something that makes you feel alive, something you are passionate about.  Sometimes, that healing is comes in the form of Dance.