La Época Interview- Part 1

Josué JosephOn Faith, Music and Talent

Dance Me Free is all about the power of Dance- and the Arts – to move, inspire and heal. What an honour it is to feature an individual who understands and embodies this concept through a variety of artistic disciplines. Josué Joseph is an award- winning musician, composer, film producer, dancer and international instructor. He is an all around inspiration.  It has been a pleasure to get to know more about what drives this artist, and I am thrilled to be able to share his insights and passion for the arts in this in-depth, two-part interview.

Thank you, Josué, for your openness and authenticity. I am grateful to have met you and I know you will continue to inspire people wherever you go.  

(Click here to view the full Interview Introduction)

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Why the name La Época?

The idea came to me immediately after the death of Tito Puente.  I was talking to my father- Alfonso Panamá –who is a legendary bassist of the Palladium. After talking to him, and to Johnny Pacheco, Celia Cruz, Cachao (another famous bassist), and to some other well-known musicians and dancers, I noticed that no one else had created a film which put all of these legends together,  to document their legacies.  And my concept was different from other films that were done about the Palladium.  I didn’t want my film to be about the Palladium.  I wanted it to be about “the time” of the Palladium, and to allow people to see the musicians that supported the major orchestras.  For example, Tito Puente and Celia Cruz were in other films about the Palladium.  But Tito Puente and Celia Cruz were individuals, they weren’t an entire orchestra.  So who were the musicians who made these individuals?  That’s what I wanted to focus on.

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Intro to Interview with Josué Joseph, La Época- Of the Time,… But Also Transcending Time

IMG_8595-2No hay que llorar; el tiempo pasará, tú verás.

(There’s no reason to cry; the time will pass, you’ll see.)

Podrás abrasarme de nuevo, tú veras.

(You’ll be able to hug me again, you’ll see.)

Que no hay que llorar! Que conmigo estarás de nuevo!

(That there’s no reason to cry! That you’ll be with me, again!)

Que podrás adorarme de nuevo! Yo se que no me olvidarás!

(That you’ll be able to adore me, again! I know that you won’t forget me!)

Each of these lines is written in aqua blue across my bathroom, hallway and closet mirrors. The words are the lyrics to the song Verás, which I was introduced to in a live performance at the 1st Vancouver Mini Congress this fall. I don’t remember ever making it to the early parts of any dance congresses before. I usually like to save my energy for hanging out with friends and then social dancing later. Yet, something that weekend compelled me to skip out on a good friend’s pre-party and show up early for a film being shown at the congress instead.

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Celia Cruz’s Cure For Headaches…

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celia c“My life is singing. I don’t plan on retiring. I plan to die on a stage. I can have a headache but when it’s time to sing and I step on that stage there is no more headache.”- Celia Cruz

Thank you VIS for connecting us even deeper to Celia Cruz and her music!

celia_cruz“You would give up your career if you lost your voice for good, or if the impresarios stopped calling, or the audiences stopped coming. But as long as those things are there, I don’t plan to stop. There is nothing that makes me feel better than to be with my public.”- Celia Cruz

Yesterday, I was running around trying to get too many things done, in what seemed like not enough time. And then I thought, what am thinking, heading downtown from North Vancouver during rush hour traffic to go see… a movie? Really?  The cars were at a standstill and my mind was telling me to turn back and just head home.  So I started slowing down but … I missed the first turn, and then couldn’t get myself to take the second for some reason.  It was as if something kept nudging me to keep going, even though I had no space to move forward to.  But somehow, I actually managed to get over to the Van City Theatre just in time to catch the screening of the Celia Cruz movie that the Vancouver International Salsafestival (VIS) were putting on. And boy, it was so worth the traffic I had to get through to get there.

What an inspiring way to start off the week of the festival.  Not only did the screening begin with an amazing promotional video for VIS- recapping some of the highlights of VIS over the past four years- but, I was blown away by the touching details about Cruz’s life and personality that I didn’t know before. Artists of many genres were commenting on the
legacy that Celia left behind.

Celia was described as “pure breath”, “born of rhythm,” and “possessing an energy that you couldn’t help but to be drawn to” by artists such as Quincy Jones, Eddie Torres, musicians connected to the Fania All Stars, and even modern artists such as Pitbull.  The way Celia captivated her audiences not just by her music, but also by her persona- her connection to people and her songs of happiness and positivity- shown in the movie, was a great reminder of how one person can have a huge influence on millions of people of all generations.

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Thank you VIS for continuing to give Celia an audience long after her life and passing on her legacy not just as an artist but as an inspiring woman in history.  This legendary artist lives on in many hearts all over the world, and I know that after what I learned from the movie last night, her music will carry an even deeper meaning to me and all those who came out to watch it and to dance a little before and after the screening!

Looking forward to more fantastic dancing, learning, and unforgettable memories this weekend at VIS!

Check out the site for tickets and schedules and the amazing line up of instructors and performers from all over the globe!  You don’t want to miss this.  It’s the last one!

Vancouver International Salsafestival